For the past five minutes, I have been watching our cat wander around the livingroom carrying a mouse in his mouth. He cannot seem to figure out what to do with it. He wants to put it down, but then changes his mind. He wants to show it to me, but then when I reach out to take it from him, he runs away. Since I started typing, he has made his decision. He batted the dead mouse around for about thirty seconds and is now eating it, head first. The crunching sound is making me cringe. I wonder how it is possible that such a thing tastes good. Well, apparently it doesn’t. He just threw up all over the floor. I’ll be right back…
OK, I’m back.
Living in a farmhouse built in 1820, I am used to living with mice, although I cannot quite get used to having them dropped, often still alive, by the cat in our bed late at night. Gregor loves to share. He is an excellent mouser, in fact, he is an excellent hunter, period. During the spring, when we are plagued with cluster flies, Gregor probably gets a third of his nutrition from eating them. He can snatch a fly out of the air as easily as you or I would catch a gently tossed baseball. His brother, Samsa, who died a few months ago of kidney failure, was a terrible mouser. I do not think he caught a single mouse in his entire life. Whenever we heard the cacophonous crash of the hunt, we could be sure that Samsa would be watching Gregor go after his prey, trotting excitedly after his brother as he crashed with abandon from one side of the room to the other, up over chairs, between book shelf and stove, under ottomans and couches, until he had the mouse trapped between his paws and then clamped in his jaws. If the mouse happened to get away from Gregor, Gregor sat and waited. And waited. An hour later he would be waiting still. Samsa having long ago lost interest would have left him to go curl up on a chair for a nap. Gregor is reckless and will leap five feet or more through the air off the back of a chair just to get up onto the fireplace mantel before realizing there is nothing really exciting up there and thumping back down on the floor. Samsa would look and ponder, calculating the distance and the height, and invariably sit back down, pretending of course, as cats are wont to do, that he never had had any interest in getting up there in the first place.
Gregor’s mouse exploits have a deep significance for me. I identify very strongly with him. As a livestock farmer I am, after all, the most canned of hunters. Whenever I hear him crashing around, or feel the cool slick fur of a mouse on my cheek or sliding down my thigh through my sleep, or whenever I see Gregor carrying (proudly, I believe) a mouse dangling from his mouth, epsecially when the mouse is alive and struggling to get free, I think about this natural cruelty. It is cruel; I don’t know what else to call it. Its naturalness does not obviate its cruelty. I wonder how and if Gregor’s cruel hunts reflect on my own. Dare I make a natural analogy? Gregor tortures his prey, for shorter or longer periods of time, depending on…depending on what, something that I might call his mood? Depending perhaps on nothing but chance or coincidence. If the mouse happens to be clamped in Gregor’s mouth in such a way that its windpipe is constricted, it suffocates and dies. If Gregor bites down too hard when he snatches it up off the ground after releasing it and letting it scamper away a few feet, he breaks its neck and it dies, sort of like Lenny in Of Mice and Men. Or, perhaps I am under-anthropomorphizing. Perhaps Gregor really is more intentional than that. Perhaps he does have moods that make him more or less cruelly playful. Perhaps he knows exactly what he is doing. And what is the mouse’s experience of all of this?
What, if any, connection is there between the tortured cruel death of prey animals by predators, whether the torture and cruelty is intentional or not, and the slaughter, humane or not, of my livestock? Is it natural for me to caringly raise livestock, load them on a trailer and drive them to their deaths? Would it be more natural if I, myself, did the killing? Is the question of nature even relevant? Gregor sees a mouse, attacks it, plays with it, kills it, and, if he is hungry, eats it. That, simply, is what he does. Why, then, is what I do so hard, so complicated, so unsimple? Why cannot I, simply, do what I do? Why must I play cat and mouse with myself? Why can’t I just accept what I do, and that it is bloody and messy and irrevocable?